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Posts from the ‘Editing’ Category

IT IS HAPPENING AGAIN! 7 Must-haves for the TWIN PEAKS Revival on Showtime

October 7, 2014

brookeburgess

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(by Brooke Burgess)

I am full of secrets. It’s true. But there’s one thing about my journey as a storyteller that has never been a mystery:

Twin Peaks was (and is) one of my biggest creative influences. Ever.

 

You want proof?  These things I tell you will be true:

  • I watched the whole series when it aired. Live. Yes…yes I am dating myself, but this old Owl is not what he seems.
  • I saw the feature film – the much maligned, yet now overwhelmingly respected slice of suburban horror, Fire Walk With Me (FWWM) – six (6) times in the theatre. At least one of those viewings was sober. Honest.
  • I’ve since owned every available edition of the pilot, collected series, and film (except for Japanese laserdisc. I know, I know…slacker).
  • The TWIN PEAKS Entire Mystery BluRay is on my Christmas list. If Santa doesn’t love me, I will steal a player just to see the 90min of delected scenes from FWWM, which I have signed four petitions to help bring to life.
  • I wrote an award-winning Fringe Festival play in 1996 whose climax paid direct homage to a scene from the film. People gasped in horror. There was weeping, and much gnashing of teeth. I was happy.
  • David Lynch’s obsession with creating mood and tension and surreal ‘hyper-reality’ states with audio became my own. I did my darnedest to slip some of his tricks into early game work at Electronic Arts.  Maybe you should try hunting down one of these
  • I attended the 1998 Twin Peaks Fan Festival in North Bend, WA. I had donuts, cherry pie, and many a mug of coffee. Oh…and I spent a whole night with this man from another place, learning to speak backwards.
  • BROKEN SAINTS, in many ways, was a 10-hr homage to Mark Frost’s serialized storytelling chops, and Lynch’s A/V style. If you think that’s an exaggeration, then you haven’t seen the intro to this.
  • My new children’s fiction books – THE SHADOWLAND SAGA – are structured like a limited run TV series peppered with quirky characters, absurd humour, a layered mystery, and chilling otherworldly dreamscapes. The first book (The Cat’s Maw) has no fewer than three nods to Peaks dialogue. And yes..there will be a contest.

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ON WRITING: 7 TIPS FROM THE ROOKIE TRENCHES

September 1, 2014

brookeburgess

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(by Brooke Burgess)

Thanks in great part to your pom-pom waving and flashflood of generosity, my first children’s fiction novel — The Cat’s Maw – is complete. It’s in the final stage of layout approvals, and I’m taking care to tweak for optimal print and eBook display whilst squashing any lingering typo bugs. (If you’re a reviewer, and simply can’t wait until the galleys are ready, then feel free to ping me for a ‘99.5% final’ PDF.)

As a debuting indie author every day is a school day, so I’m passing on seven of the tastiest morsels of knowledge gleaned thus far (some bits most certainly culled from the Journals of Duh).

At the very least, you won’t be in utter darkness after your stab at NaNoWriMo this November :D

CM2 Pimp

 

DIGITAL NOMAD, YO (You can write anywhere)

It’s a brave new world, my friends.

You don’t need a penthouse office. You don’t a need a big-screen, quantum-powered desktop. You don’t a suburban castle with moat filled with craft brew and a 2.3 car garage.

You…can…write…anywhere.

I’m all about ‘setting’ when it comes to getting into the scribing mood, so I needed somewhere special – and specifically feline – to tackle the first volume in The Shadowland Saga. And since ancient Egypt was a little outside the budget, a remote corner of Southeast Asia proved the next best base of operations. $500/month for a bungalow, a scooter, and three tasty squares a day?  Sign me up, slappy.

But this wasn’t just any old fiscally responsible nook — this was a remote jungle island teeming with CATS – a tiny Muslim fishing community with no natural predators (even the cobras fear kitty here!) and a respect for all things fierce and four-footed.

May I say it again:  have WIFI, will travel…and you can too!

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GIVING AWAY THE COW (Free reads = free advertising)

In April of this year, I began teasing chapters from an early edit of the book on WATTPAD – considered the social network for writers and readers of all ages. Billing the tale as the opening shot in a ‘contemporary fantasy-adventure epic’, I posted the first 6 chapters and crossed my fingers for a response…

Two months later, I was asked to feature the story in its entirety. In less that 8 weeks, the response has been astounding: chapter reads have topped 140K, along with a tsunami of ‘Likes’, shares, reading-list adds, and passionate comments and questions from an engaged and faithful audience.

Am I worried that posting content for free will dilute book sales come November?  Not so much, considering that this exercise has helped to build great early buzz between readers of my genre. Not to mention the fact that the official eBook and print versions will have exclusive content that’ll get the hardcore faithful twitching like a dignified kitty after catnip tea. ;)

It really is a brilliant time for aspiring authors to chart a course and steer their own damn ships.

Enter the Shadowlands...

COMING SOON (Book Trailers are a thing)

It’s seems illogical – how can you cut a promo with audio and compelling visuals for a work that’s meant to exist solely in a reader’s mind? Still, in recent years, it seems that book trailers have progressed from a rarity to the norm in mainstream publishing. The goal is to sell the feeling of the story in a bite-sized chunk of AV goodness to a literary audience.

The Cat’s Maw is a dark feline fairytale with fantasy, mystery, and adventure elements for brave young readers – think ‘middle grade’ (9-12yrs) — and for all you creepy kids at heart.

I think we pulled it off, don’t you?

 

This 90sec piece features the haunting narration of Michael Dobson (Transformers, Batman: Black and White, Broken Saints), a chilling score by Tobias Tinker (Broken Saints, I Am Legend shorts, Hellboy 2 shorts), and original art by Sara Machajewski, Welkyna, David Cameron Sloan and more.

It was conceived and designed to set stage for the mysterious saga to come by teasing a major piece of its mythology puzzle — trust me, once you’ve read Book I, you’ll see exactly how potent this bit of promo is.  :-)

 

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BOOK 2 ‘KICKSTARTER’ IS LIVE!!!

June 19, 2014

brookeburgess

Chapter2

(by Brooke Burgess) With a personal ‘patronage drive’ around my birthday, the funding for Book 1 in the new children’s fantasy series — The Shadowland Saga — was raised in less than 10 DAYS!  Now, it’s time to sound the call beyond my walls and reach out to lovers of literature, classic children’s stories, and…CATS! Enter PUBSLUSH — the ‘Kickstarter’ for books:

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With this 40-DAY exclusive crowdfunding campaign:

  • I’ll be raising all costs (layout, illustration, editing, audio, etc) for BOOK 2, and beyond!
  • There will be more REWARDS for contributions, including $10 and $25 levels!
  • You’ll be able to contribute with SECURE VISA/MC donations!
  • 5% of every $ goes to Pubslush’s CHILDREN’S LITERACY charity!
  • See DAILY TRACKING for goals, rewards, and compaign updates!
  • ‘Stretch Goals’ for localized versions, and much, much more!
  • Easy SHARING to Facebook, Twitter, Google+, and all your social media!

At the very least, please take a few minutes to check out the campaign page. It’s got fresh content — project background, an interview, even a live chapter sample! — and, by clicking ‘I’M INTERESTED!’, you help build buzz on their main hub for the project.

And…for all of you who sent such generous and supportive gifts my way already?

Here’s a sassy Q&A follow-up, just for you <3

‘SHADOWLAND’ FUNDRAISER and FAQ!!!

June 2, 2014

brookeburgess

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(by Brooke Burgess)

Q: What’s this all ABOUT?

Like the video says – I’m seeking support for my 5-book middle grade (8-12yrs) contemporary children’s fantasy series: The Shadowland Saga.

Q: What’s the quick and dirty way to donate?

PAYPAL or INTERAC e-PAYMENT (for Canucks) to my mail:

bb@brookeburgess.com

<3

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Q: Why not a formal KICKSTARTER/Indiegogo?

Scope. The stats show that the formal crowd-funding campaigns that tend to be the most successful are related to tech, games, film/TV, and content with established brands (I’m looking at you, Reading Rainbow).  This is just a bunch of books – and the funding goal ain’t that high – so I wanted to keep the focus on close friends, industry peers, and hardcore fans of my previous work with this more personal approach.

Now…if the series takes off, and there’s a rabid audience eager to fund the launch of a full blown transmedia experience of the narrative world?  Then you’ll see Shadowland on Kickstarter in a big way. Count on it.

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ENTER THE CAT’S MAW — ON WATTPAD!!!

February 10, 2014

brookeburgess

Enter the Shadowlands...

Howdy friends!

With the first draft of my children’s book complete — and in the capable hands of a hungry team of beta readers — I’m keen to share a bit more with you. And what’s the best way to do that, you ask..?

Enter WATTPAD

This is THE social media platform for readers, writers, and anyone invested in experiencing the collision between technology and the written word.  Millions of users. Countless stories. Mind-bending genres. And it’s all being updated with new content — based on your feedback — every second, of every minute, or every goddamn day!

So take a minute to click the link above and scope the prologue and a chunk of Chapter 1. If you dig it, then please leave a ‘star’ and a comment on the site, sign up for updates, and spread the good word!

Expect more updates soon, dear friends — including release dates, illustrator news, and even audiobook talent announcements (could a voice from the past be making a collaborative return?).

Thanks…for reading :)

BB

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WORDSMITHS: 5 WAYS TO SHARPEN YOUR EDIT

January 7, 2014

brookeburgess

The Edit

I’m about to edit a book. Seems like a straightforward mission statement, right? But for me, the prose editing process generates a special, singular kind of fear. I’ll get to that in a second.

When you’re launching an initial assault on the blank page, there’s a leap-into-the-void, roll-the-goddamn-dice, what’s-the-worst-that-can-happen? kinda quality to the whole thing. That’s why I actually enjoyed the NaNoWriMo exercise – you show up, put your head down, and commit to your daily word count. That’s it. So, if your outline was strong enough, and your characters were clearly defined, and you respected your narrative roadmap (no matter how many shortcuts or off-road excursions you indulged in along the way), you’re gonna end up with something. And, unless you’re a complete tool, said thing will resemble an actual ‘story’, with words and paragraphs and dialogue and chapters and a beginning, middle, and end. Groovy.

But then comes the hard part. You see, in keeping with my oft-stated transmedia philosophy, Storytelling (on singular or multiple platforms) is akin to the mining, cutting, and polishing of a precious gem. Writing in prose has only reaffirmed that for me. The story outline is where one surveys the land and takes soil samples. The first draft is digging and sifting until you find the raw stone. Which makes the hardest part – the detailed cutting and polishing phases, which give the stone its unique beauty and shine — the edit.

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