Posts tagged ‘books’
September 23, 2014
(By Brooke Burgess)
So…it seems that a book has been written.
Awesome. Strike one off the bucket list. :D
But this is only the beginning – just the first in a five-volume children’s contemporary fantasy/mystery/adventure epic – and I need your help to keep this particular ball of cat-loving string rolling.
I’m about to start Book 2 in earnest (title to be revealed early 2015). The plot’s been in stone for some time now, the chapters are outlined, and the prologue is already written*!
But Book 1 in The Shadowland Saga— The Cat’s Maw — needs to leave its firm paw-print in the literary world in order to get more young readers, scary mystery lovers, and feline fanatics clamouring for what comes next.
Here’s what you can do to put some catnip in this old kitty’s bowl:
- BUY IT: http://www.amazon.com/dp/1500971650 the print version — complete with the new cover embedded above, more than 20 original illustrations, and an exclusive BOOK 2 sneak-peek – is available now in Amazon’s North American shops, and will be up in European ones early October. Expect the Kindle, iBooks, and other E-versions before Hallowe’en — I’ll be sure to list them all here!.
- REVIEW IT: if you really, really want to help Billy and his feline friends? Then write a gushing, heartfelt, and passionate review! You don’t have to buy the book if you can’t afford it. If you make a good case and promise a timely review on multiple sites? Then I will send you a PDF version of the final. That’s right — just commit to posting some kind words on AMAZON, Goodreads, your blog or Tumblr, on Pinterest or on Facebook…heck, even with graffiti. Word of mouth is the single BEST way for people to discover things, and you were all the FIRST to experience this story.
- REQUEST IT: Ask your local bookstore, library, or specialty shop to carry The Cat’s Maw. It will appear on major distributor lists (Ingrams, etc) soon, and that’s how the literary gatekeepers find what to buy. The more you ask for it (ANYWHERE in the world), the faster folks can experience the story the way it was meant to experienced…curled up under a thick blanket with a cup of cocoa on a blustery autumn night.
- FAN IT: Want to take things a step further? Then get involved! Why not make a fan page if you’re inspired? Or create some original artwork? Or do your own audiobook recording! Wanna hold readings at your school or library, screen the trailer, and have discussion groups? Go for it! Try to solve the mysteries of The Shadowland together…and maybe you’ll be rewarded for your efforts when a contest or two arrives to test you in the future.
And please, please, PLEASE — don’t be shy. If you have ANY questions or comments, feel free to get in touch — that’s what the magic of the Interwebs is for!
FYI: I’ll be following up soon with a beefy article featuring many of the things I discovered were part of the process after the book was written. It’s boggling. Speaking with other self-published authors, I was both surprised and a little dismayed by how unprepared most writers were when it came to having a savvy marketing, promotional, and press strategy in place for their books by the time launch week came around. So maybe, just maybe, you can learn from our mistakes ;-)
More soon from the Shadowland, dear friends — thanks in advance for anything you can do to help.
With continued warmth and respect,
January 7, 2014
I’m about to edit a book. Seems like a straightforward mission statement, right? But for me, the prose editing process generates a special, singular kind of fear. I’ll get to that in a second.
When you’re launching an initial assault on the blank page, there’s a leap-into-the-void, roll-the-goddamn-dice, what’s-the-worst-that-can-happen? kinda quality to the whole thing. That’s why I actually enjoyed the NaNoWriMo exercise – you show up, put your head down, and commit to your daily word count. That’s it. So, if your outline was strong enough, and your characters were clearly defined, and you respected your narrative roadmap (no matter how many shortcuts or off-road excursions you indulged in along the way), you’re gonna end up with something. And, unless you’re a complete tool, said thing will resemble an actual ‘story’, with words and paragraphs and dialogue and chapters and a beginning, middle, and end. Groovy.
But then comes the hard part. You see, in keeping with my oft-stated transmedia philosophy, Storytelling (on singular or multiple platforms) is akin to the mining, cutting, and polishing of a precious gem. Writing in prose has only reaffirmed that for me. The story outline is where one surveys the land and takes soil samples. The first draft is digging and sifting until you find the raw stone. Which makes the hardest part – the detailed cutting and polishing phases, which give the stone its unique beauty and shine — the edit.