Posts tagged ‘flash’
June 6, 2012
TIMELINE: 2010 – 2011
PLATFORM(S): Web, Videogame
GENRE: Animated Children’s content (stop-motion)
CLIENT: Karma Film
I was contracted to implement a ground-floor imagining of the design, interactive narrative, production management, and creative direction for a multi-pronged digital experience for this beloved Gemini Award-winning stop-motion animated children’s series.
- Designed user experience and overall media campaign strategy
- Produced/directed all in-studio production, technical assets, and audio/visual contributions
- Steered marketing strategy and ensured overall project timeline/budget adherence
- Secured additional national funding for ‘PHASE 2’ of the web experience: a Mariokart-inspired videogame, featuring hundreds of unique series characters and assets.
- Designed, produced and directed the game – Wapos Racerz – to completion with my recommended development team.
- Consulted on production and design for the Wapos Bay iPAD experience, now available!
Experience the heart-warming world of Wapos Bay HERE. (Flash required)
December 6, 2011
Our stop-motion, Flash-powered ode to all things Wapos Bay (and a few from Mariokart) is finally complete! You can click the image above to visit the Newgrounds hub and give it a whirl 8)
From the press blurb thingie:
Start your engines and get ready for fun in the award-winning stop-motion world of Wapos Bay – it’s 3 laps and winner-takes-all on the biggest Flash-powered kart racing game yet: WAPOS RACERZ! Play as one of four beloved characters as you explore the town, discover shortcuts and hidden secrets, and collect ‘Slushie Kitties’ to unlock movies from the series finale!
October 18, 2011
(Oct. 18, 2011) – Wapos Bay: Long Goodbyes, based on the Gemini award-winning TV series, will have its world premiere at the prestigious imagineNATIVE Film + Media Arts Festival in Toronto at its Closing Night Gala presented by Global Toronto. A co-production with the National Film Board of Canada, the movie was selected for the closing night of the Festival’s 12th edition and will screen on Sunday, Oct. 23 at 7:00 p.m. ET at the TIFF Bell Lightbox (350 King St W).
Fans from around the world will also have the opportunity to be part of the premiere via the Closing Night Technical Partner IsumaTV and a free live streaming at http://www.isuma.tv/nfb. Creator / producers Dennis & Melanie Jackson, actors Andrea Menard (The Velvet Devil, Moccasin Flats) and Eric Jackson will be available for the Q & A following the screening, moderated by imagineNATIVE executive director Jason Ryle who will be taking questions from the floor and via Skype for the online viewers.
“It is humbling to have our Wapos Bay finale movie screened at imagineNATIVE because it is one of the premiere indigenous film festivals in the world,” said Dennis Jackson. “It is always an honour to be recognized by your peers whether other indigenous people, animators, filmmakers or friends. This screening will be a unique experience because fans can log in online and they don’t necessarily have to be here in Toronto to watch the premiere.”
The night will feature a special tribute to Wapos Bay cast member, the late Gordon Tootoosis (North of 60, Legends of the Fall). Announcements of the future of Wapos Bay will also be made on the night, including the launch of several digital media properties. Led by Brooke Burgess (writer, director & producer of Broken Saints), properties include a Mariokart style video game, eBooks and episode downloads.
Tickets for the world premiere / imagineNATIVE are available in-person at the TIFF Bell Lightbox or
Phoenix Concert Theatre, by calling the TIFF Box Office at 416-599-8433, or online at
www.imaginenative.org. The national broadcast premiere for Wapos Bay: Long Goodbyes is Saturday, Dec. 3 on APTN (8 p.m. ET on APTN HD and APTN East, 8 p.m. MT on APTN West, 8 p.m. CT on APTN North).
The movie has also been selected to screen at the Chicago International Children’s Film Festival (Oct.
29), American Indian Film Festival in San Francisco (Nov. 5), LA Skins Festival in Los Angeles (Nov. 16-
20) and Message Sticks Indigenous Film Festival in Sydney, Australia.
August 24, 2010
Yesterday, I had the good fortune to hang with Broken Saints audio guru Adam Fulton for the first time in what seems like a warped age. The afternoon included heaps of reminiscing along a winding coastal nature walk (I’m romantic that way), some quality java, copious cheeseish and cheesesque substances, and a slice of cinematic dessert. Adam and I struck up a fast friendship during our Instructor days; we were a pair of creative rebels – considered specialists in our chosen fields – and made it our parallel missions to inject undiluted doses of Passion into the minds and hearts of seemingly apathetic hordes of students…many of whom were only too happy to burn their parents’ mutual funds at Gaming University.
But no experience served our friendship more – and challenged it on every conceivable level, to the point of utter disintegration – than fighting side-by-side in the digital trenches of the Broken Saints 4-disc DVD 5.1 surround mix. So, after a great reconnection and earnest pledges or more to follow from both sides, I couldn’t help but dig in the saintly archives in search of some artifact from that vital era. Something and found this old production diary
The account below – which was later published in Canada’s Reel West Digest – only skims the surface of what Adam and I (and the rest of the 30-strong DVD team) experienced on that 9 month adventure/greasy-slide-into-Hell. But it might just give you an idea of what’s required when true Collaboration comes a knockin’, and the lasting rewards for those brave (and perhaps stupid) enough to answer the goddamn door…
July 29, 2010
(Even though it’s been 7 years since the original Broken Saints flash series was completed – and 4 since the DVD set came out in North America – I’m still blessed to receive some incredible messages from old and new fans on a semi-regular basis. Below, you’ll find what amounts to the first ‘theologically hardcore’ analysis of BS from a…ummm…’professional’ point of view!
I was always hoping to stir up some spiritual discussion with the series, so this mail made me extremely happy. Respect and appreciation to Wes Kelley for taking the time to write…and for reminding me that it pays to put in the obligatory research hours 8) )
“I’m a young Christian pastor, age 26, in the United Methodist Church, a mainline Christian denomination in the US, analogous to the United Church of Canada up north. A friend just let me borrow the Broken Saints DVDs to watch, and I became engrossed. Broken Saints touched off with me in so many ways! At the end of it all I was just like, “Yes!” The Saints narrative touched on so many intersections, political, spiritual, technological, more, all in a sci-fi universe. It really is my cup of tea.
First though, I thought your christological portrayal of Shandala was absolutely compelling. It almost brought tears to my eyes! Shandala’s christological significance was not just a cheap-easy, one-to-one symbol, like some films do by making just anybody who makes a self-sacrifice or has a tragic death into a Christ-figure. No, you built that thing up from early on, weaving it in a nice point/counter-point kind of way with the visceral, perverted effigies of Bula the cat and Shandala’s adopted mother. The cross, the ancient instrument of torture, execution, and Roman power, you re-appropriated as the symbol of technological, military, and commercial violence. Damn! Perfect that Lear crucifies Shandala on the technological instrument. And then that same instrument of death, the technological cross, she actually uses to overthrow Lear, and send blessing to everyone in the world. That is Christus Victor like nothing I’ve ever seen. Although in my theological circles, we discuss this progression as the most sacred mystery of Jesus’s atonement, never before have I seen it presented narrativally in our times, and in the sci-fi world no less!
July 26, 2010
Stuck behind a desk?
I will think of you fondly
as I play with dolls
May 28, 2010
Ask and ye shall receive – the first in a series of quick behind-the-scenes vids from the Saskatoon stop-motion studio – featuring David Suzuki! 8)
This is just the first stage in a cool little project that’s launching in the fall, so stay tuned…