Posts tagged ‘telefilm’
January 24, 2013
A belated Happy 2013, one and all! Another year brings a firm resolve, fresh inspiration, and exciting new projects to share. I’ve been teasing feature film developments for what seems like an age, and with the challenges inherent to raising capital in the world of indie film, it’s high time to attempt a more traditional narrative. Something with multi-quadrant audience appeal, international market support, and potential franchiseability. One of those rare industry blips where the rewards clearly outweigh the risks. And, it should go without saying by now, something with multiplatform aspirations carved into its atomic structure from conception.
A little over two years ago, I committed to a ‘work vacation’. It was to be an exotic change of scene, with the hopes of finishing the first draft of a Telefilm-funded screenplay I had pitched, and getting my physical health in line after years of late nights, table-sized Canadian portions, and ungodly levels of caffeine and sugar.
I would end up choosing Thailand. And, for two incredible months, I would write…and learn the ways of Muay Thai.
TIMELINE: 2011 – CURRENT
PLATFORM: Feature Film
GENRE: Contemporary Sci-Fi
CLIENT: In-House IP w/ HULO FILMS
LOGLINE: Sheltered in a remote orphanage, a disabled teen (JACOB PRICE – 16) has terrifying visions of a technological apocalypse. Little does he realize that the real battle will be waged within his very cells…and that the future of the human race will be HIS to decide.
With an original short story treatment, multi-stage development financing from Telefilm Canada and Saskfilm was secured for this teen sci-fi high concept. Reminiscent of ‘thinking man’ cult hits including The Lawnmower Man, The Matrix, and Chronicle, two (2) screenplay drafts have been successfully completed and reviewed by major distributors.
Project partners HULO FILMS are entering negotiations for international co-production beginning in Spring 2012. You can view the digital pitch package here, which includes some sweet concept art by David Cameron Sloan.
August 24, 2010
Yesterday, I had the good fortune to hang with Broken Saints audio guru Adam Fulton for the first time in what seems like a warped age. The afternoon included heaps of reminiscing along a winding coastal nature walk (I’m romantic that way), some quality java, copious cheeseish and cheesesque substances, and a slice of cinematic dessert. Adam and I struck up a fast friendship during our Instructor days; we were a pair of creative rebels – considered specialists in our chosen fields – and made it our parallel missions to inject undiluted doses of Passion into the minds and hearts of seemingly apathetic hordes of students…many of whom were only too happy to burn their parents’ mutual funds at Gaming University.
But no experience served our friendship more – and challenged it on every conceivable level, to the point of utter disintegration – than fighting side-by-side in the digital trenches of the Broken Saints 4-disc DVD 5.1 surround mix. So, after a great reconnection and earnest pledges or more to follow from both sides, I couldn’t help but dig in the saintly archives in search of some artifact from that vital era. Something and found this old production diary
The account below – which was later published in Canada’s Reel West Digest – only skims the surface of what Adam and I (and the rest of the 30-strong DVD team) experienced on that 9 month adventure/greasy-slide-into-Hell. But it might just give you an idea of what’s required when true Collaboration comes a knockin’, and the lasting rewards for those brave (and perhaps stupid) enough to answer the goddamn door…